Joanne Montanez Jodi Lyn O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Keefe Jolene Blalock
Monday, September 27, 2010
MTV Rough Cut: 'The Other Guys'
Will Ferrell and Mark Wahlberg divulge inside acting methods and filming techniques used in their new flick "The Other Guys."
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Sunday, September 26, 2010
50 Cent Explains G-Unit's LED-Lit Outfits At Jay-Z/Eminem Show
50 Cent
Photo: MTV News
Welcome back to Tri-State Stadium Status 50 Cent. The leader of the G-Unit hasn't been seen in a major stadium in his hometown area since Hot 97's 2004 Summer Jam at Giants Stadium, where he was involved in the infamous chair-throwing incident with some rivals from Queens.
For years, fans have missed Fif and the Unit at the annual mega-concert. Well, last night, the Unit returned in their entirety during Eminem and Jay-Z's Home and Home concert at Yankee Stadium. 50 Cent, Lloyd Banks and Tony Yayo appeared onstage together during the first of two stadium shows on two consecutive nights. Although later in the night, Drake and Jay-Z performed "Light Up," it was the collective from Queens who literally lit up onstage, not just with "I Get Money," "In Da Club" and "Beamer, Benz or Bentley" but with their illuminated clothes.
"It's at ease," 50 said about coming out as Eminem's special guest. The Unit also appeared at Jay and Shady's shows in Detroit at Comerica Park. "I'm at ease. Before it's time for us to go onstage, you're watching a cool 35 minutes of the building being torn apart. You come out, the pressure is not there. The excitement of you coming out in the middle of that, you see the audience. You see the whole thing changes. I knew what kind of event it was. I made my vocations. I had them put lights on us and do different things you probably would only see ... the last time I seen the LED lights was Chris Brown's performance. [We perform in] different styles of clothes. It's not like the suits he had on. Michael Jackson used to do that back in the day. So I just made it more hip-hop and brought that to the actual shows."
"It was crazy, man," Tony Yayo said about his crew's outfits. "Especially when the lights go off. LED lights on the jackets."
"It's fun," 50 chimed back in. "I'mma start doing different things performance-wise. Come outside of the box. Do different things that look like a show. Ninety percent of the time you're watching hip-hop, you see a guy sings a song where ... you can see him in that same outfit another day onstage. We can dress it up from time to time and do different things."
While Jay-Z brought out Drake, Kanye West, Nicki Minaj, Beyoncé, Memphis Bleek and Chris Martin, Eminem's guests were G-Unit, D12 and Dr. Dre.
"Me and Em talked about the show," 50 said about his and Slim Shady's preliminary discussions prior to the Comerica shows. "I was like, 'What's the play? How you gonna do it?' He said, 'I'm thinking about Drake, B.o.B, maybe Dre.' I'm like, 'That's crazy.' I was saying Snoop. We needed to bring out Snoop. They reached out, but it didn't happen. There's a little politics as to why Snoop didn't make it back out there. In the future, they'll see us collaborating, doing different things."
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Selena Gomez Starstruck By Shakira On 'Wizards Of Waverly Place'
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Photo: MTV News
Selena Gomez is growing up. And the same can be said of her onscreen persona on "Wizards of Waverly Place," Alex Russo. Gomez revealed that as the show progresses, it only makes sense to have the tone of the show itself grow up a little bit.
" 'Wizards of Waverly Place' is getting much more mature in terms of our comedy, [but] we are still keeping the youthfulness of our characters," she told MTV News. "I just feel like we're all kind of growing, so the characters are evolving."
And the more mature comedy on the show isn't the only thing that Gomez is looking forward to. "As far as anything else exciting coming up, we have a couple of episodes ... we have the Shakira episode coming up," she said, adding, "And I think we have another hour-long special as well."
While she didn't reveal much about the plot of the episode starring Shakira, she does say that the two will share a duet. But if you want to know what song they sing together, you'll have to tune in. "The Shakira episode was so much fun. I'm not sure I can reveal too much. I just know that she had a very big part in it and I was just starstruck the entire time," she said. "I also felt like I needed to work out after I was next to her because she's gorgeous. She was really nice and she was really funny. So the role was her playing herself, obviously, and I got to sing a song with her as well."
So did Gomez prove that her hips don't lie by dancing with Shakira? "No! I wasn't even about to attempt her dance moves," she laughed. "There's no way I would be that skilled."
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Joaquin Phoenix Apologizes To David Letterman
Joaquin Phoenix on the "Late Show With David Letterman
Photo: CBS
The last time Joaquin Phoenix appeared on "Late Show With David Letterman," the actor was dazed and cloaked by a bushy beard and oversized sunglasses. The incoherent chat set off speculation that the once-promising young star was involved in some bizarre Method acting exercise, on drugs, mentally ill — or all of the above.
What a difference a year makes. Phoenix returned to the scene of the crime on Wednesday night to clear the air with Letterman and apologize for his gum-smacking, mumbly indiscretions in February 2009.
"I mean, I think that you've interviewed many, many people, and I assumed that you would know the difference between a character and a real person, so ... but I apologize. ... I hope I didn't offend you in any way," Phoenix said after Letterman sought to shoot down rumors that he was somehow in on the joke the last time around.
"Yeah. Was there a script that you and I were working with?" the late-night host asked.
"No," Phoenix responded.
"Thank you very much," said Letterman. "I was not part of it, was I?"
"No," Phoenix, 35, said.
"Oh, no, no, no. I was not offended," Letterman added after Phoenix's apology. "I'm telling you, it was so much fun. It was batting practice, you know what I mean? Every one of them was a dinger."
Phoenix laughed and said, "I was looking for a beatdown, and I got one ... I want to thank you for that."
The actor was presumably back on Letterman's show to promote his mockumentary "I'm Still Here," which chronicles a shambling year spent trying to launch a rap career, complete with groupie love, drug taking and attempts to get Diddy onboard for Phoenix's album.
The film's director, Phoenix's brother-in-law actor Casey Affleck, recently said the star's wild behavior was part of an elaborate hoax perpetrated for the film. But on "The Tonight Show With Jay Leno" earlier this week, Affleck was noncommittal when Leno asked if Letterman was in on the joke.
"Neither Joaquin or I ever talked to Dave," Affleck said, noting that he told Letterman's longtime sidekick, bandleader Paul Shaffer, about the actor's plans for the Letterman gig. "But he's not going to tell anybody," Affleck explained of Shaffer.
On Wednesday night, Letterman asked Phoenix if the allegations about the late-night host being in on the gag were true. "No," Phoenix said forcefully.
In the end, Letterman — who had some of his finest comedic moments in recent memory during the original trainwreck — said he was not offended by Phoenix's actions the first time around, although he did suspect something was up.
"I've always liked you. I recognize you as a powerful talent ... then a year and a half ago you come out and honestly it's like you slipped and hit your head in the tub," Letterman said at the top of the interview. "And I knew immediately when you sat down, something ain't right. Because if you're really the way you appeared to be, you don't go out. People don't let guys like you out if you're really like that.
You don't go out."
Phoenix's response at first recalled the chat from last year; he merely stared at Letterman while grinning and nodding his head in agreement, quietly saying, "Yeah." Letterman, perhaps sensing a command performance, sized the actor up and gave the audience a deadpan look.
"So, what do you have to say for yourself?" he finally asked Phoenix.
"Well, thank you for letting me come on the show ... we wanted to make this film," he explained, saying the aim of the movie was to explore the relationship between celebrity, the media and fans.
Letterman joked that he was mostly concerned about how he appeared in the movie, which uses a good portion of the 11-minute 2009 interview. "How do I come off — do I come off good, or do I come off like a jerk?"
Phoenix assured Letterman he didn't come off like a jerk, though he smirked a bit while doing so.
"Now wait a minute," Letterman shot back. "What is that? ... Is it edited in such a way to make it look like, 'Oh, poor Joaquin, big dumb Dave is picking on poor Joaquin?' "
The actor, who seemed disappointed that Letterman hadn't seen the film, assured him it didn't. When Dave then mentioned that his lawyers considered suing over the unlicensed use of the 2009 interview, he explained that his attorneys were told that the footage was OK to include because of fair use copyright provisions.
"Well, hoo ha, guess what? It's no documentary. It was a theatrical ruse," Letterman said.
"So you're going to sue us?" Phoenix asked.
"Now you owe me a million bucks," Letterman warned. "We want a little something for that. My talent fee. It's not my first rodeo. I'd like a little taste of this as well."
What do you think of Joaquin Phoenix's antics? Let us know in the comments!
Check out everything we've got on "I'm Still Here."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Saturday, September 25, 2010
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Lindsay Lohan's 'Inferno' Director Admits 'Exasperation'
Lindsay Lohan on set of "Inferno"
Photo: TylerShields.com
Lindsay Lohan's return to jail on Friday (September 24) as a result of a probation violation has no doubt put another kink in the problem-plagued actress' attempts to revive a once-thriving career. Specifically, production on the Linda Lovelace biopic, "Inferno," which was set to begin filming in November, may be hampered by the ongoing legal troubles of its leading lady.
Still, "Inferno" director Matthew Wilder, who has been unyielding in his support for his star, said the show will go on — with Lohan.
"We love her. We want her to do well," Wilder wrote in a statement e-mailed to MTV News. "We will make the picture shortly."
Wilder added that the film will now shoot in Los Angeles instead of Louisiana, as was originally planned. "I think [it] will make things easier on the Lindsay front," he said.
"I understand people's exasperation," Wilder admitted, referring to the former Disney darling's string of questionable life choices over the last few years. "I share it. But there is a tremendous gift underneath all the obvious baggage."
During Lohan's hearing on Friday, Judge Elden Fox did not hear any testimony from Lohan's lawyers before denying the 24-year-old "Mean Girls" star bail and ordering her to report to jail. Lohan was reportedly handcuffed in court before being taken into custody, meaning she could be behind bars until the next hearing in the case, scheduled for October 22.
According to the conditions of her post-rehab release, Lohan could spend 30 days in jail. She served 13 days of a 90-day jail sentence in July over a probation violation from a pair of 2007 DUI cases; she subsequently spent 23 days in a rehab facility, serving less than one third of her 90-day court-ordered sentence.
Are you surprised that Lindsay's "Inferno" director is standing by her? Tell us in the comments.
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Dimmu Borgir Release Live DVD; Plus Led Zeppelin, Brujeria, & More News That Rules, In Metal File
Dimmu Borgir's Silenoz
Photo: Nuclear Blast
On October 14, Dimmu Borgir — who just happen to be Demi Lovato's favorite black-metal band — will release a a three-disc DVD/CD set called "The Invaluable Darkness," the band's first visual offering since 2002's "World Misanthropy." Boasting live footage shot last year, during gigs in Norway, Germany and England, "The Invaluable Darkness" demonstrates the unbridled furor of seeing Dimmu live, guitarist Silenoz said.
"It shows the honest rawness and atmospheric darkness of our concerts," the Norwegian told Metal File last week, after dismissing recent online rumors that his band's next LP would be coming out through Roadrunner Records. "Basically, it shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums. It's just a different side to the band, basically."
Dimmu Borgir began thinking about "The Invaluable Darkness" two years ago, but didn't start capturing footage until last summer, Silenoz explained, adding that the band will use its current stint on the Blackest of the Black Tour — which got underway Thursday night in Miami Beach, Florida, and also features the tour's founder, Danzig, along with
Moonspell, Winds of Plague and Skeletonwitch — to promote the DVD. Dimmu Borgir will not, however, use the tour to write material for their next LP.
"It's our first time on Blackest, but Glenn [Danzig] had wanted to bring us out before [on the tour], but we weren't available until now," Silenoz said. "We've done Ozzfest before, but we're looking forward to this tour more. We did the main stage on Ozzfest, playing in f--_ing broad daylight. This tour will let us play in bigger places, but at the same time showcase more of what the band's about, visually. We are going to concentrate on the tour for now. Some years ago, we tried putting [material] together on the road, but once we got home, we listened back to it, and were like, 'What the f--- is this?' So, we just scrapped it all. We find it's so much better to totally focus on one thing at a time, and then, when that's over, you move on to the next [thing]. We don't really feel like we need to rush things, anyway, so we'll just take our time, and it's going to be what it's going to be."
Dimmu Borgir hope to reconvene in late December to begin writing the follow-up to 2007's diabolically titled In Sorte Diaboli. "We have some ideas floating around already, but we haven't arranged any material yet," he said. "We'll start doing that once the touring for this DVD is over." The band's frontman, Shagrath, is also due to marry soon — he's engaged to actor Nicolas Cage's ex-girlfriend, Christina Fulton, so that may have an effect on when Dimmu finish their next album, which Silenoz said could be out this coming spring.
"I'm sure [Shagrath] won't let anything get in the way [of] the band — I think, I hope," the guitarist said. "We don't need a Yoko [Ono] situation."
While Dimmu have been at it going on 15 years now, Silenoz said he doesn't think their forthcoming material will be much of a departure from their previous black-metal offerings.
"And we have always been about more than just that term, 'black metal,' " he said. "Luckily for us, the older you get, the less concerned you get with the categorization and putting labels on your music. Things start getting more and more limitless with us, and we know that we operate within certain frames. But we try not to analyze things too much, because it's just going to be working against you in the end. When we write new stuff, we don't think about what we should write — we just get together, and put material together, and if we like it, we keep it. That's the formula, if we even have a formula."
Dimmu Borgir are definitely getting older — guitarist Galder will be missing Blackest because of a recent addition to his family, and Susperia's Cyrus will be filling in for him; while former Vader drummer Dariusz Brzozowski takes over for Hellhammer, who had to leave the band in 2007 after sustaining a neck injury that's now limited the use of his right arm. As Dimmu has gotten on in years, Silenoz admits they have failed to keep pace with some of the more extreme black-metal acts that have followed in their wake.
"We helped open doors for the more extreme bands out there," Silenoz said. "I'm sure we helped open doors for bands like Watain, [insomuch as] people that had maybe started listening to us first then went on to the more extreme stuff. Let's face it — we're not as extreme as Watain and other bands like that, but we're fine with that."
The Blackest of the Black Tour continues through November 10 in San Francisco.
The rest of the week's metal news:
Dimmu's tourmates on Blackest, Winds of Plague, have announced ex-Azusa drummer Art Cruz has joined their ranks — he replaced Jeff Tenney. According to the band's blog, "Art has already added a new spark to the band and has provided us with a solid backbone that will allow us to continue our rampage stronger than ever." ...
What the world really needs is another
Led Zeppelin box set, so, on November 4, Rhino Records will issue the Led Zeppelin Definitive Collection Mini LP Replica CD box set. For just $200, you'll get 1969's Led Zeppelin, 1969's Led Zeppelin II, 1970's Led Zeppelin III, 1971's Led Zeppelin IV, 1973's Houses of the Holy, 1975's Physical Graffiti, 1976's Presence, 1976's The Song Remains the Same, 1979's In Through the Out Door and 1982's Coda, as mini-LP replicas, with artwork from the original U.K. LP sleeves. Now, you know what you can get your dad for Christmas. ...
Former Killswitch Engage frontman Jesse Leach and current Killswitch Engage guitarist Adam Dutkiewicz have teamed up for a new project they're calling Times of Grace, and they've already started working on material for their debut album. According to Leach, "We have two songs to go and we will be finished with all of the vocals. Adam has taken lead vocals in three songs as of yet and he is doing a great job. We also worked on a track yesterday that is so epic — we trade vocals and do two different melodies at the same time. This album went from a melodic metal album to an epic mix of metal/rock/pop/shoegaze and punk. So all of your metal expectations will be incorrect — we are pushing genre boundaries." To quote "Meet the Parents," we'll look forward to that, Greg. ...
The Funeral Pyre and Early Graves will be hitting the road together next month, starting November 7 in South Lake Tahoe, California. Dates are booked through November 21 in Hollywood. ...
The latest incarnation of Brujeria, which features Carcass frontman Jeff Walker and Napalm Death's Shane Embury, have lined up several U.S. dates for this winter. The band will begin its brief trek November 28 in Denver, and wrap things up in Dallas on December 7. ...
Demiricous will be touring with the Gates of Slumber starting November 9 in Denver, for a jaunt that's scheduled to run through December 6 in Indianapolis. ...
Nearly three years after Roadrunner Records' Roadrunner United concert, which took over the Nokia Theater in New York's Times Square, the label is now releasing footage from that special night as "Roadrunner United: The Concert." The DVD, which hits stores December 9, will boast two discs and 24 live tracks, including Life of Agony's "River Runs Red," King Diamond's "Abigail," Killswitch's "My Last Serenade," Type O Negative's "Black No. 1" and Sepultura's "Refuse/Resist." ...
According to Blabbermouth, Verrot, bassist for Swedish black-metal outfit Elimi, committed suicide on October 3. In a statement, the band said, "Verrot was a very good friend, brother, an excellent bass player/musician and an important part of Elimi; we respect his decision and hope he'll find his way with the dark gods of Chaos. Let your black flame be a part of what brings forth the day of wrath."
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Mary J. Blige Dishes On Her 'Crazy' Led Zeppelin Covers
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Photo: MTV News
You wouldn't peg Mary J Blige as the black-light-and-tapestry sort, but, as has become readily apparent in recent weeks, she absolutely loves Led Zeppelin.
In early February, reports began circulating that Blige had re-recorded Zeppelin's classic "Stairway to Heaven," working with Travis Barker, "American Idol" judge Randy Jackson and guitarist Steve Vai on the track, which is slated to appear on the international reissue of her Stronger With Each Tear album, due Monday.
But after she had recorded "Stairway," Blige continued to get the Led out, covering another Zeppelin classic — the thunderous "Whole Lotta Love" — for the album too. And when MTV News caught up with her on the Essence Black Women in Hollywood red carpet, she told us all about channeling her inner Robert Plant for the tracks, a process that came much easier than you'd probably imagine.
"I did Led Zeppelin's 'Stairway to Heaven' and 'Whole Lotta Love' — it's crazy," she said. "I am a Led Zeppelin fan. I'm not going to say I've been to their concerts, but I've listened to their music since I was a child, and it's always moved me, especially 'Stairway to Heaven,' and 'Whole Lotta Love' is just fun."
Blige also said she recorded another new song — a "club record" called "I Can't Wait" — for the re-release. And while it's only slated to hit shelves outside the U.S., she hopes her fans will get a chance to hear all the new songs pretty soon.
"I want y'all to hear it," she laughed.
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Christina Milian Says Collaborating With Kanye West Was 'Easy Breezy'
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Photo: MTV News
Christina Milian may be battling great forces in her new single, "Us Against the World," but on her upcoming album, there's one track she thinks people will really be talking about: "Diamond," featuring Kanye West.
"I'm really excited about that. I think he's an awesome artist," the actress and singer told MTV News at the KIIS-FM's Jingle Ball in Los Angeles on Saturday, adding that it was pure luck that led to their collaboration. "It kind of just happened. We happened to be in the same studio. I asked him to come in, and he heard it and got on it immediately. I'm glad I got to have him a part of my album."
Despite Kanye's reputation for being a perfectionist, Milian insisted that working with the rapper was actually very easy. "He's very creative. He can make three beats in one night and hum several different melodies on each record and then from there go back to the record and write the songs," she said. "When he came to my project that's kind of what happened. He happened to be in the studio working on his project. He heard it, he hummed out some melodies and lyrics, and ... the next day he put down his vocals. It's very easy breezy. I'm sure he wouldn't have gotten on it if he didn't like it."
Milian's still-untitled fourth album, due out in 2009, will be her first since being dumped by Island Def Jam and picked up by MySpace Music. She just finished shooting the video for "Us Against the World," a song she called a "love anthem." "It's the first time [I'm] putting out a ballad," she said. "I think it's a representation of what we need in this world right now. There are people that are holding it down for somebody. It's important to have someone that has your back."
For the video, she hooked up with Ray Kay, with whom she's worked in the past on her videos for "Say I" and "Whatever U Want." "We just finished the video [and we're about] to release it soon. I'm excited," she said, describing the clip's setup as "very
'Mad Max' versus '300.' "
"I'm in sand dunes," she explained. "And, I'm out there ... me and my guy, [and] we probably are the last two people on Earth. Really, I'm on my own and I'm searching, and finally he comes to me. I don't know where he's been, and he comes back to me. It's very timeless. When you see it, it's nothing like anything you'd see now. I want to be iconic in every music video that I do. I want to make a mark. This is very different."
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Friday, September 24, 2010
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Heroes star Hayden Panettiere has been named Obsession of the Year in a recent issue of GQ. The teen celebrity is photographed by Ellen Von Unwerth. She is adorable in the photos and actually now that she?s eighteen, it?s okay to look at her ?in tha
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Guillermo del Toro tells us what movies are in the works and addresses rumors about his future projects.
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Selena Gomez Starstruck By Shakira On 'Wizards Of Waverly Place'
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Photo: MTV News
Selena Gomez is growing up. And the same can be said of her onscreen persona on "Wizards of Waverly Place," Alex Russo. Gomez revealed that as the show progresses, it only makes sense to have the tone of the show itself grow up a little bit.
" 'Wizards of Waverly Place' is getting much more mature in terms of our comedy, [but] we are still keeping the youthfulness of our characters," she told MTV News. "I just feel like we're all kind of growing, so the characters are evolving."
And the more mature comedy on the show isn't the only thing that Gomez is looking forward to. "As far as anything else exciting coming up, we have a couple of episodes ... we have the Shakira episode coming up," she said, adding, "And I think we have another hour-long special as well."
While she didn't reveal much about the plot of the episode starring Shakira, she does say that the two will share a duet. But if you want to know what song they sing together, you'll have to tune in. "The Shakira episode was so much fun. I'm not sure I can reveal too much. I just know that she had a very big part in it and I was just starstruck the entire time," she said. "I also felt like I needed to work out after I was next to her because she's gorgeous. She was really nice and she was really funny. So the role was her playing herself, obviously, and I got to sing a song with her as well."
So did Gomez prove that her hips don't lie by dancing with Shakira? "No! I wasn't even about to attempt her dance moves," she laughed. "There's no way I would be that skilled."
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'Waiting For Superman' Cheat Sheet: Everything You Need To Know
Students in "Waiting for Superman"
Photo: Paramount
After his last filmmaking effort, "An Inconvenient Truth," took the Oscar for Best Documentary, director Davis Guggenheim had the bar set rather high for his future projects. He seems to have met the challenge as his latest work, "Waiting for Superman," has been generating awards-show buzz and serious acclaim since it debuted at the Sundance Film Festival early this year. ("Superman" won the fest's Documentary Audience Award.)
MTV News has been following the poignant film, from its start at Sundance to the debut of the first trailer, and even logged some conversation time with Guggenheim. The arresting documentary finally arrived in theaters on Friday (September 24), and we've gathered all the facts you need to know.
First of all, what's all the fuss about? The film takes a long, hard look at the state of America's public school system, following five students in various U.S. cities who are struggling to get a quality education. It also features commentary from several leaders in the education field: philanthropist Bill Gates; Geoffrey Canada, president and CEO of the Harlem Children's Zone in Harlem, New York; and Michelle Rhee, chancellor of the Washington, D.C., public schools.
When the film traveled to Park City, Utah, in January 2010 for Sundance, it was quickly snatched up by Paramount Vantage, becoming the festival's first official sale, days before it even premiered there. "Superman" went on to win the Documentary Audience Award.
Four months later we got our eyes on the first trailer, and three months after that, MTV partnered with the Get Schooled campaign to host a screening of the film for members of various Chicago youth groups
Shortly thereafter, as part of our Fall Movie Preview, we had an insightful chat with Guggenheim about education reform, the reasons MTV viewers should care about their neighborhood schools and what the average person can do to sustain the conversation he hopes to start with this film. Leading up to the film's release, Guggenheim took the film and its important message — joined by Bill Gates and chancellor Rhee of the Washington, D.C., school district — to "The Oprah Winfrey Show."
This week, MTV News hit up the Los Angeles premiere of "Waiting for Superman" on the famed Paramount lot. There, Guggenheim celebrated with VIPs like "Curb Your Enthusiasm" star Cheryl Hines and L.A. Mayor Antonio Villaraigosa.
"This movie has got to be a catalyst for real change," Villaraigosa said. "It's got to do for education what 'An Inconvenient Truth' did for climate change and the struggle to educate people about global warming. This is the pre-eminent challenge facing America. It is the civil-rights issue of our time. When you look at the kids in urban schools, the level with which they're dropping out and the abysmal success rate of our urban public schools."
On the lighter side of things, but still in the spirit of "Superman," we made a list of our favorite fictional schools over at the MTV Movies Blog, where Hogwarts and "Back to the Future" 's Hill Valley earned nods.
What's your opinion on the education issues raised by "Waiting for Superman"? We want to hear what you think in the comments!
Check out everything we've got on "Waiting for Superman."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Chris Brown Melts Down During BET Awards Michael Jackson Tribute
Chris Brown at the 2010 BET Awards
Photo: Frederick M. Brown/ Getty Images
When Jamie Foxx, Ne-Yo and New Edition were performing tributes to Michael Jackson during last year's BET Awards show, Chris Brown was nowhere to be found, even though many felt he was an obvious choice to honor the fallen legend. Brown's assault on Rihanna several months earlier presumably kept him out of the show.
On Sunday night (June 27), Brown finally got his chance to publicly honor the man he idolized -- and while his dancing was flawless, when the time came for him to sing, he simply fell apart.
After being introduced by Jermaine Jackson, Brown beautifully channeled Michael as he danced to "Remember the Time," "Smooth Criminal" and "Billie Jean." Yet when he grabbed a mic to sing "Man in the Mirror," he choked up, visibly weeping.
"I'm gonna make a change for once in my ..." Brown's voice trailed off. He was out of breath and sounded hoarse. Tears stained his cheeks as he paced the stage, holding the microphone by his side. "This ... wind is blowing my ... Who am I to..." He clearly knew the lyrics but they failed to come out.
Brown faded in and out of the song, closing his eyes, grimacing, trying to soldier on. Whether it was the emotion of the moment or the past 16 months, Brown struggled and failed to find his voice, even though the pre-recorded backing vocals played on.
Finally, he gave up, raised a bandaged finger to the sky and fell to his knees as Michael Jackson's voice could be heard saying, "I'm starting with the man in the mirror." The camera cut from Brown to an audience member who clearly uttered "Oh my God," in shock.
The audience loudly sang the words that Brown could not. Their aid seemed to move Brown to rise from his knees and mouth the words along with Jackson's voice, while gesturing along with the mic as tears rolled down his face. In the audience, actress Taraji P. Henson could be seen mouthing, "That's all right baby," as Brown walked offstage to Jermaine Jackson, who moved to console him.
Brown's emotional performance echoed through the rest of the show. When Niecy Nash came onstage to present the Video of the Year award, she said, "When Chris Brown started crying I got choked up."
Backstage, "a lot of folks were getting misty-eyed, understanding that he was overwhelmed with emotion," BET publicist Zabrina Horton said. "Me, personally, I think 'Man in the Mirror' was great for him to do because I'm sure he still feels bad about Rihanna and wants to be forgiven. He has to make that change himself for himself and he knows that."
Later in the show, when accepting the AOL Fandemonium prize, which measures an artist's "online and mobile fan power," Brown spoke briefly.
"I didn't really prepare a speech because I didn't really think I was gonna be backstage," he said. "But bottom line, I couldn't never do this without my fans. Team Breezy, all the support I've been getting from day one.
"I just wanna say one thing,' he concluded. "I let y'all down before but I won't do it again, I promise. I love y'all, good night."
What did you think of Chris Brown's Michael Jackson tribute at the BET Awards? Let us know in the comments below.
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Thursday, September 23, 2010
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Michael Jackson's Mom Sues Concert Promoter AEG Live
Michael Jackson
Photo: Getty Images
The litigation that has surrounded the tragedy of Michael Jackson's untimely death continues. Katherine Jackson, on behalf of and along with Michael Jackson's children, has filed suit against AEG Live, the promoter for the late superstar's 50-date concert residency. Jackson's mother charges the company breached its contractual agreement to provide medical care for her son and argues they were negligent in hiring controversial doctorConrad Murray.
According to TMZ, Katherine's filing claims AEG's contract with Michael "created a legal duty for AEG to act reasonably toward the physical well-being of Michael Jackson." The website also points out that the lawsuit lists Katherine Jackson as a Guardian ad Litem, or legal representative, for Michael's three children, which Katherine is not. Jackson's mother is in fact only the trio's guardian.
The gossip site suggests that the mistake, along with the fact that Katherine's reps know nothing about the lawsuit, suggests she is not actively involved in this case.
In other MJ-related lawsuit news, Conrad Murray's attorneys asked a federal judge on Wednesday (September 15) to dismiss the wrongful death lawsuit filed by the singer's father, Joe Jackson, because he is not a beneficiary of the late singer's estate. The Associated Press reported that Murray's lawyers equated Joe's lawsuit to a "press-release that is intended to prejudice and inflame the jury pool and the public." The motion will reportedly be considered by a federal judge during a hearing scheduled for Oct. 18.
Joe Jackson sued Murray on June 25, the one-year anniversary of his son's death in 2009 at age 50. His lawsuit claimed the doctor withheld vital information about Jackson's medical history — including a list of all the drugs he had administered to his patient — from paramedics who responded to a 911 call, as well as to doctors at UCLA Medical Center who attempted to revive the singer. At the autopsy for Jackson, the complaint also alleges that Murray "said nothing" about having administered the surgical anesthetic propofol, which the coroner concluded caused Jackson's death. The lawsuit seeks more than $75,000 in damages.
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Wednesday, September 22, 2010
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'Eastbound And Down' Cast Talks Marilyn Manson's Cameo Bid
Marilyn Manson
Photo: Valerie Macon/ Getty Images
If fans thought news of Marilyn Manson's "Eastbound and Down" superfandom was surprising, then they may have been more shocked to learn that Manson is vying for a cameo on the zany HBO series. Manson told MTV News he'd like to step into the shoes of awkward-yet-eager sidekick Stevie (played by Steve Little). So we asked some of the folks attached to the show for their thoughts on Manson's small-screen aspirations.
"Honestly, I'm honored," the show's executive producer/ writer/ director Jody Hill told us at the star-studded season-two premiere. "I saw Marilyn Manson open up for Nine Inch Nails when I was in high school in Winston-Salem, North Carolina," Hill recalled. "So the fact that he's heard of the Kenny Powers series is pretty awesome."
We then informed Hill that Manson would love to play Stevie in some sort of guest role. "Really?" Hill laughed. "OK, great, I'd love that. He can play his brother."
Series star Danny McBride, who plays Kenny Powers, had an alternative suggestion: "I imagine he could just cut [actor] Steve Little's flesh off and wear it, and just kind of be him," McBride offered, before adding that he had considered wearing a Manson-inspired getup himself. "I was going to come here dressed as Marilyn Manson but I pu--ied out at the last moment."
"Eastbound" 's executive producers (and famed "Funny or Die" founders), Will Ferrell and Adam McKay, were similarly enthused about Manson's enthusiasm. "I think it's fantastic," Ferrell told us.
Meanwhile, McKay seemed to suspect before anyone else did that the show would appeal to the "Beautiful People" singer. "I don't want to say I took it for granted, but I gotta say the first episode of this I saw, I thought, 'If Marilyn Manson doesn't like this then we've done something wrong.' "
"Yeah," Ferrell chimed in.
What do you think of Marilyn Manson being a big "Eastbound and Down" fan? Should he make a cameo? Let us know in the comments!
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Beyonce Says She's 'A Feminist, In A Way'
Beyoncé
Photo: Michael Caulfield/ Getty Images
Whether it's "Single Ladies (Put a Ring on It)" or the Destiny's Child classic "Independent Women," most of Beyoncé's catalog consists of strong female-empowerment anthems. So it's no surprise that the singer considers herself to be a feminist.
In an interview with the U.K.'s You magazine, the pop star opens up about the importance of female companionship, not needing to hide behind Sasha Fierce and her much-talked-about baby plans.
"I think I am a feminist, in a way. It's not something I consciously decided I was going to be; perhaps it's because I grew up in a singing group with other women, and that was so helpful to me," she told the magazine. "It kept me out of so much trouble and out of bad relationships. My friendships with my girls are just so much a part of me that there are things I am never going to do that would upset that bond. I never want to betray that friendship, because I love being a woman and I love being a friend to other women."
Most recently, Beyoncé has certainly made her share of female friends in the industry. In the past year, the singer has collaborated with Lady Gaga ("Video Phone" and "Telephone") and Alicia Keys ("Put It in a Love Song").
While the singer might always have female besties, there's one thing she's cut out of the picture: alter ego Sasha Fierce. Earlier this year, the pop star revealed that she "killed" Sasha, and now she said the alter-ego absence is due to her newfound self-awareness.
"I don't need Sasha so much anymore, because these days, I know who I am. It takes time to figure out who you are, and I am still discovering different things about myself. As I am exposed to different experiences, I think, 'Oh, I like this. I didn't know I liked this,' " she explained. "That's the journey of life that is so exciting. More and more, I know who I am, I know what I like, I know what I want, and that makes me feel so free."
In fact, B already has her eye on some personal life goals. "My ambition is to continue to learn about the world and to eventually have a family," she said. And while Beyoncé remained coy about when she and husband Jay-Z will expand the Carter family, she hinted that there's really "no dates, no times" to motherhood. "It will happen when I am ready."
What is your favorite Beyoncé female-empowerment anthem? Share your thoughts in the comments below!
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Tuesday, September 21, 2010
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Nicki Minaj, Ke$ha, Jason Derulo Are Dreaming Of VMAs
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On Sunday (September 12), Jason Derulo, Nicki Minaj, Ke$ha, Justin Bieber and the Broken Bells will vie for the Best New Artist title at the 2010 Video Music Awards. But what does the Moonman mean to these industry newbies? MTV News caught up with a few of the nominees to find out.
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'Catfish' Subject Is A 'Bit More Wary' When It Comes To The Web
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Photo: MTV News
The much-buzzed-about little indie that could, "Catfish," is finally in theaters. Despite the unusual approach Universal took with the marketing campaign — i.e., setting up the Sundance darling as a genre or horror-like film — it is a must-see movie with a very timely and unique message.
The heavily hyped documentary revolves around NYC-based photographer Nev Schulman and a series of curious events that occur when he begins an online friendship with an 8-year-old girl and a romantic relationship with her older sister.
When MTV News caught up with the filmmakers, Henry Joost and Ariel Schulman, they addressed the persistent "is it real?" debate. A few weeks later, we had the opportunity to sit down with all three of the "Catfish" guys: the filmmakers and the movie's star/subject, Nev Schulman.
Because the film exposes a very real and, at times, emotional real-life experience related to the realm of online relationships and social networking, we asked Nev if he has since changed his virtual presence or approach (without revealing any spoilers, of course).
"Through all of this, basically, I'm trying to stay true to my regular behavior," Schulman said. "I like to take risks, putting myself out there, saying yes to things. I have certainly a new appreciation for where that can lead when it comes to the Internet," he explained. "So when it comes to meeting new people online, I'm definitely a little bit more wary now as far as getting to know them too personally before I actually meet with them in person, but as far as using the Internet and Facebook and Twitter and YouTube and having accounts on all these social-networking websites, I think it's great. I think that there's a lot of good that can come from it."
Nev Schulman added that until you really know someone, it's best to err on the private side of things. At least in the beginning of a virtual relationship — no matter if it's platonic or romantic.
"Basically, what it comes down to is, keep it private, because you can always share with people once you're ready to, but there's no reason to willy-nilly share everything about yourself with anybody."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Monday, September 20, 2010
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VMAs In 60 Seconds: Meaty Togs And Soulful Songs
Eminem and Rihanna perform at the 2010 VMAs on Sunday
Photo: Kevin Winter/ Getty Images
Between fits of laughter and streams of tears, shiny Moonmen and meat dresses aplenty, the 2010 MTV Music Video Awards were not to be missed. Sunday's award ceremony was jam-packed with memorable moments that caught even the most casual viewer off guard, and while summarizing the entire show in 60 seconds might seem like an impossible feat, the MTV News team is always up for a challenge!
Although the purpose of the evening was to celebrate and honor the greatest musical achievements of the year, some of the show's performers couldn't stop themselves from embracing their sadder sides, with melancholy tunes coming from the likes of Linkin Park, Taylor Swift and even Eminem. In fact, it was Slim Shady himself that kicked off the VMAs with his opening performance of "Not Afraid," which he followed up with a brief rendition of domestic violence-themed "Love the Way You Lie" alongside surprise special guest Rihanna. (Well, gossip sites pretty much ruined that surprise for everyone but Jane Lynch, actually.)
It wasn't all doom and gloom, though. Host Chelsea Handler broke the tension on more than one occasion, with fake pregnancies and awkward encounters with Lindsay Lohan among her many highlights. Justin Bieber tore up the dance floor with some similarly sized pals, while his mentor, Usher, literally wheeled around through "DJ Got Us Fallin' in Love" and "OMG."
With 13 nominations to her name, Lady Gaga easily went on to be the big winner of the night, walking away with a walloping eight awards. But even she wasn't immune to the charms of celebrity culture, as she found herself awed by the mere presence of Cher.
"I never thought I'd ask Cher to hold my meat purse," Gaga proudly exclaimed. We always suspected you would, though, Gaga.
While the night focused mainly on the musical highlights of the past year, there was no side-stepping the VMAs of yesteryear — after all, how could Taylor Swift and Kanye West possibly ignore each other entirely after last year's awkward encounter? The singer-songwriter offered what could be perceived as a thinly veiled message of forgiveness toward West in her new song that states: "32 is still growing up now/ Who you are is not what you did/ You're still an innocent."
Indeed, the VMAs came full circle as Kanye closed out the night with his performance of "Runaway," proposing a musical toast to "the douche bags, the a--holes" and "the scumbags." If Swift forgave West earlier in the evening, a similar olive branch was offered again as the audience continuously cheered Kanye's name, signaling the end of yet another successful round of Video Music Awards.
The Moonmen have all been handed out and the stars have gone home, but there's plenty of 2010 MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com.
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Sunday, September 19, 2010
VMA Nominations By The Numbers: Lady Gaga On Top
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Photo: Derek Storm/ Splash News
For an artist who has quickly made a habit of smashing records, Lady Gaga improbably did it again on Tuesday (August 2). She leaped past such career stars as "Telephone"/ "Video Phone" collaborator Beyoncé to set a new record for the most nominations in a single year for MTV's Video Music Awards, which air Sunday, September 12, at 9 p.m. ET.
The Mother Monster racked up 13 nods, far outpacing the artists with the second-most nominations, a resurgent Eminem, who racked up eight. On her way to setting the record, Gaga also became the first female artist nominated for two different clips in the coveted Video of the Year category for "Bad Romance" and "Telephone."
But 13 isn't the only significant number this year. We've pored over the nominations and here's a breakdown of the other figures popping out at the 2010 Video Music Awards:
1994: The year Usher's debut was released. As for the other nominees in the Best Male Video category, Eminem hit the scene in 1996, while the other three acts in the category — Drake, B.o.B and Jason DeRulo — didn't release their full-length debuts until 2010.
25: Nominated artists who've appeared on a NOW That's What I Call Music! Compilation: Justin Bieber, Ke$ha, Rihanna, Usher, Nicki Minaj, Jason DeRulo, Taylor Swift, Lady Gaga, Drake, Eminem, David Guetta, Katy Perry, 3OH!3, Kid Cudi, Pink, Beyonce, Coldplay, David Guetta, Enrique Iglesias, Green Day, Gorillaz, Jay-Z, MGMT, Muse and Paramore.
23 years: Age difference between Best New Artists nominees Broken Bells' James Mercer (39) and Justin Bieber (16).
9: The record Gaga will have to beat if she wants to snag the distinction of most wins in a single night, currently held by Peter Gabriel's "Sledgehammer."
7: Number of nominated artists who are playing at this year's Lollapalooza festival: B.o.B., Dan Black, Green Day, MGMT, Mumford and Sons, Lady Gaga and the Black Keys.
6: First time nominees, including B.o.B., Ke$ha, Justin Bieber, Drake, Florence and the Machine, Mumford and Sons.
2 1/2: Artists nominated in the Video of the Year category who were up for the award last year: Gaga (with assist from last year's winner, Beyoncé) and Eminem.
2: Previous times Eminem has been nominated for Video of the Year.
1: Number of times the band Ratatat has been mentioned before in connection with the VMAs.
1: Opportunities for a cast member of "Jersey Shore" to hop up onstage during an award acceptance, should Enrique Iglesias win for "I Like It" from the "Shore" soundtrack album.
The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on September 12 at 9 p.m. ET. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for the winners in general categories, including Best New Artist, from Tuesday (August 3) through September 12.
Are you surprised by any of this year's nominees? Talk about it in the comments.
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'Spider-Man' Star Andrew Garfield Bares His Soul In 'Never Let Me Go'
Andrew Garfield
Photo: MTV News
In "Never Let Me Go," director Mark Romanek's adaptation of Kazuo Ishiguro's award-winning novel, Andrew Garfield plays a character whose emotions are never far from the surface, faced with the frustrating certainty of his impending death.
While the basic premise for the film is set firmly in the realm of science-fiction, the narrative itself shares little in common with the average futuristic story filled with robots and advanced technology. Instead, "Never Let Me Go" offers an intimate look at three people whose lives have a very public expiration date and what they do with the time they're given.
"What is at the core of the story is a very human story, discussing what it is to have a soul, and how you prove what a soul is," Garfield told MTV News. "Do we have souls? It's actually [a story] about being human."
For Garfield, the film is likely to be the calm before the storm, of sorts. The actor will appear next in David Fincher's "The Social Network" before swinging into theaters as the new star of the "Spider-Man" movie franchise in the 2012 blockbuster. Whether any of his upcoming roles will afford him the same emotional journey as "Never Let Me Go" is uncertain, but Garfield seems keen on getting the most out of his roles — like the chance to let loose with the occasional raw, primal scream.
"It was intense to do," said Garfield of the scenes in which his character, no longer able to contain his anger and frustration, erupts with a heart-wrenching wail.
"I think those screams are inside all of us, I just got a chance to let mine out," he said. "At one point during every single day, you want to do that, but you don't express that — you keep everything locked in. And that's OK, that's what it is to grow and not be a baby anymore. But when you're first born, you don't know why you shouldn't scream. To react in that very childish, free, expressive, instinctive way of being was kind of beautiful to do.
"I think it's kind of important that we find a room where we can do that once a week, once an hour," he laughed. "I think that's kind of necessary."
With "Never Let Me Go" kicking off a limited release in theaters this week, audiences have the chance to see Garfield flex his acting muscles well ahead of his mainstream gigs, but the actor seems intent on keeping perspective, describing his debut as Peter Parker as "just another role." However, he admits that his experience during last weekend's MTV Video Music Awards offered him a chance to observe what happens once you're firmly rooted in the spotlight.
"It was surreal, man," he said. "It was surreal to be there, and it was surreal to be with Justin [Timberlake] in his element, so to speak. It was really exciting. I felt like I could be a fly on the wall, because no one knows who the hell I am. I could just be there and observe all this weirdness going on all around."
In the end, it might be a good thing that Garfield has "Never Let Me Go" behind him before Hollywood makes his life even more surreal, as the lessons he learned from the experience bode well for avoiding potential "weirdness."
"[The story of 'Never Let Me Go'] is reminding us hopefully that we do have a choice to we wake up in the morning and think, 'What do I want to do?' Not 'What should I do?' and 'What am I obliged to do?' but 'What do I want to do with this very unique day?'
"I think it can be a call to arms for that kind of excitement about life," he said. "And I love the story for that."
Check out everything we've got on "Never Let Me Go."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Christina Milian Explains Significance Of Album Title, Elope
Christina Milian
Photo: MTV News
Christina Milian may be bringing it on in her new flick, but the singer/actress is also hard at work on her music career as well. Milian couldn't be more excited for her forthcoming album, Elope. She hopes to have it out by the end of the year — but if you're expecting any more info on its release date, you'd better ask someone else.
"I'm excited. I'm, like, waiting forever, like, 'When does the single come out?' " she jokingly told MTV News. "I don't even know."
She was even unsure of the title of the album, which she worked on with her real-life love and fiancé, The Dream. "It's called Elope right now. Who knows, knowing me — I'm changing constantly," she offered. "But it's called Elope. I did it with The-Dream and Tricky Stewart.
"I'm really excited. It's [about] a young female growing into a woman, and it's very honest. The album's fun, so I'm looking forward to performing it."
She explained that the projected album title does reflect events in her own life, just not in the way that you might think.
"Actually, the name change came ... I don't know if I was engaged yet, but it really didn't have anything to do with it — more so about taking a step as a woman and making decisions on my own and doing things without necessarily the permissions of others. And I think that's really more about adulthood and coming into adulthood," she explained. "I think that's where we came up with that one."
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Saturday, September 18, 2010
Usher Dazzles On The VMA Stage With 'DJ' And 'OMG'
Usher performs at the 2010 VMAs
Photo: Kevin Mazur/ WireImage
Call it what you will: talent, swag, skills. But one thing's true about Usher Terry Raymond IV: When he steps on the dance floor, some mysterious thing comes out of him and puts the G in groove. After he was tapped to perform at the 27th annual MTV Video Music Awards, executive producer Dave Sirulnick challenged Usher to "show why you're king," and the 31-year-old Grammy winner didn't disappoint.
As predicted by the lucky few who got a peek at Thursday's practice performance for his hit "OMG," Ush pulled off moves that would make the late great Michael Jackson jealous in a mammoth stage production that included more special-effects bells and whistles than a summer blockbuster.
Usher opened the performance with "DJ Got Us Fallin' in Love," perched two flights above the stage on a ledge surrounded by blinding green laser lights. Then he slid, with the help of barely visible wires and mounts, down a flight, all the while popping and locking. When the father of two finally ticked his way down to stage level, he was surrounded by an army of dancers also clad in black suits with white stripes designed to toss and catch special effect lights.
Directed by Anthony Mandler, Usher's "OMG" clip earned Best Male Video, Best Dance Music Video and Best Choreography Moonman nominations. During the pre-show, Lady Gaga's "Bad Romance" beat it in the Best Dance category, where Raymond was, for many, the lead contender.
If Usher was disappointed, he didn't let it show. When he launched the "OMG" portion of his performance, the stage seemed to disappear, as red laser lights moved forward in blinding configurations spelling out O.M.G. and Usher's name. More dancers lowered from the ceiling on Cirque du Soleil-esque contraptions, dipping in and out of the red beams. Such a 3-D light display could probably have been seen from the moon, if it weren't for the roof of the Nokia Theatre.
Usher ended his set standing, head back, with his arms outstretched in the Jesus pose. He didn't say a word. Didn't need to.
The Moonmen have all been handed out and the stars have gone home, but there's plenty of 2010 MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com.
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